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Press

On this page I have compiled a best-of of media coverage

about past projects.

Rheinische Post, October 11th 2025
about: Mendelssohn, Lobgesang
(Chorprojekt Mönchengladbach)

After the break, the "Lobgesang" symphony allowed yet another soloist to shine:

tenor Christoph Eder who had stepped in

for a colleague on short notice. He inspired

with his refined, slender voice that mastered

all critical difficulties with certitude.​

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Neue Nassauische Presse, April 7th 2025
about: Bach, Matthäuspassion
(Kantorei des evang. Dekanats an der Lahn)

For many, tenor Christoph Eder must have been

a revelation.

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Badische Zeitung, March 13th 2024
about: Homilius, St. Mark's passion
(Heinrich Schütz-Kantorei Freiburg)

Christoph Eder lets his tenor resonate both expressive and alert.

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Hamburger Abendblatt, September 24th 2023
about: 1. Philharmonisches Konzert 23/24
(Philharmonisches Staatsorchester Hamburg)

Under it's leader Martin Steidler LauschWerk vocal ensemble sings with glorious homogenity and purity.​

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The New York Times, September 18th 2023
about: The raft of the Medusa (Komische Oper)

It is an ambitiously scaled, superbly performed, conceptually clever, politically android yet emotionally cool spectacle.

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bachtrack.com, July 17th 2023
about: Semele (Bayrische Staatsoper)

LauschWerk vocal ensemble brought polyphonic abundance to the heated staging. Enthusiastic applause for this exceptional group performance!

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Hamburger Abendblatt, July 22nd 2022
about: Per aspera ad astra
(Schleswig-Holstein Musikfestival)

The Balthasar-Neumann-Chor brings the audience to their knees: beauty of sound, excellent pronunciation and a grappling expressive intensity.

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